Tuesday, August 4, 2015

Morning Light

I've enjoyed this open airy space on many mornings past, with its large east facing window flooding the room in early morning light. Sunrise and a cup of coffee by mom's bedside in this room was my morning ritual for a couple of years while mom was declining and in need of assistance. Morning has always been my favorite time of day, the rising sun bringing new beginnings and fresh starts, the gift of life and breath, and a day full of possibilities.

I'm grateful for the mornings I spent here, times when mom (Flo) and I drew close in ways that we'd not had the opportunity to before. Mom's experience of these mornings, however, was vastly different from mine. Though there were days I had to reach deep down inside to find a smile and a cheerful voice before I entered the room, for mom each sunrise represented yet another day of pain and difficulty.

Even so, most mornings were a pleasant time together. Mom's medication schedule required an early wake up when she would have rather kept right on sleeping. I brought her medicines and breakfast, and we conversed while I drank my coffee and she ate what she could. I tried to make those morning meals enticing. I made pretty arrangements on the plate, little toast bites on one side, slices of fruit on the other, or wedges of boiled egg circling the edge of a plate with a small dish of yogurt in the center. I always brought too much, and she always ate too little.

We talked about yogurt, how she had never eaten it growing up, had never even heard of it. She wondered when and how it had come into our lives, this new delicious thing that she'd been so completely unaware of for so many years, for most of a lifetime. She also seemed surprised by the notion of having fruit for breakfast. Especially the pears. A large lovely painting of pears hangs in the kitchen. She did it years ago and old photographs show how it went through a few renditions before reaching its current state. Mom was not unfamiliar with pears, yet she marveled at how she had never realized how good they were. She gathered up lots of things for their shape and color, objects that would add interest to a painting. I have another smaller painting of pears. I wonder if she had only painted them, never tasted them. Though that can't be right. Maybe they were more appealing in the morning, separated from the pencils and paints in the studio.

Most mornings mom ate her breakfast in bed. The pain she endured once she got up and started moving around was absent while she was still laying down after a good night's sleep, so she was reluctant to get up, sometimes even to sit up to eat. She was in her late 80s. Who was I to tell her she had to sit up or get out of bed? When she had eaten as much as she was able and had taken her medicine, she rolled over and went right back to sleep in all that glorious sunshine.

Mom's whole house is uniquely special, bearing the marks of her creativity in many ways. Every room has something interesting to appreciate, but for me mom's bedroom is the best room in the house. The morning light flooding the room lifts my spirits every day, though mom is absent and the fern is the only living thing for me to greet. The room is lovely and though I usually bring my coffee with me when I open mom's house for the day, I don't sit down to enjoy it in the sunlight. Mom isn't there, and staying now wouldn't bring the pleasure that sharing those mornings with her often did.

I'll be looking for a room with an east facing window when this place sells and it's time for us to move on from here. A place in which to make new memories and to enjoy the sunrise and my coffee together. Until then I'll enjoy the few moments I spend in this room each morning.

Saturday, August 1, 2015

Patience

Do you remember when worry stones were popular? Those smooth, sometimes polished little weights to carry in one's pocket that gave the worrier something to rub, or joggle, or simply hold while thinking through a vexing problem, or roll over in the fingers while mulling over a slight, real or imagined, given or received. One significant feature of these stones was their plainness. Perhaps picked up on a walk along the beach, or a hike in the mountains, they might catch the eye for their perfect roundness, or particular color, but would otherwise be quite plain. A found worry stone could signify a specific time and place, a crisis point that carried the weight of decision, or the calm of a pleasant memory. Could a smooth little stone in one's pocket produce a calming effect, give nervous energy a focused outlet to soothe the urge for frantic pacing? These stones were quite popular years ago, but I don't see them anymore, at least not for sale in little baskets by gift shop registers. Perhaps they weren't effective, or perhaps our culture has adopted a more positive outlook, a determination to choose cheerfulness.

It's likely that the urge to pocket little stones, and other such bobbles, will remain with us. There is something attractive about the weight and solidness of a little stone, something pleasant about roundness and surfaces smoothed and polished by the rolling surf. We may always be inclined toward the keeping of such talismans. Worry stones, as such, however, have been replaced by stones no longer plain. Gift shops now display little baskets full of stones with single words painted or embossed upon them, such as love, peace, or happiness.The stones may be of similar size, shape, and smoothness, but the addition of a single word changes their nature in a significant way. Rather than calm a worried mind, or draw one back to a place in time, these stones are meant to inspire the spirit. Intended as prompts toward those states of being to which we aspire, these little stones tell us what to reach for, to claim somehow as our own. They point us to a brighter outlook, encourage us to eschew those wearying states of worry, waiting, wanting, and wondering.

The popularity of these wordy stones has reached beyond the pocket and into the garden. Large stones of various shapes and sizes can be found to grace the garden with words meant to inspire or perhaps to simply affirm. The stone in the picture above is one such, the word gratitude engraved right into the face of the rock. It was given to Flo by a dear friend of hers some years ago as an expression of such. I received a thank you note today. I always appreciate receiving them, they affirm that I've done something worthy of someone's notice and thanks. I had given a little gift, and this kind note was a welcome response. Flo had given much and her friend responded by setting her gratitude in stone, a lovely gesture that I know was appreciated.

Though I can imagine a garden stone with the word wonder engraved upon it, I doubt that I'll ever see one that says worry, or impatience. I'm pretty good at worrying and not so good at waiting. Perhaps that's a commonplace, a good reason to suppose that I'll never see such stones in anyone's garden; we need no encouragement to fall into those kinds of patterns. Though the stone in our garden was given as an expression of gratitude, it remains as a reminder to be grateful. Ann Voskamp, author of "One Thousand Gifts" which tells the story of how gratitude changed her life, says "Everyone gets to decide how happy they want to be because everyone gets to decide how grateful they are willing to be." I think there's something to that, and yet I don't think it's that simple. I don't think life boils down to simple equations such as gratitude = happiness.

A certain settled peace, and tears, often well up together in me when I am stirred by gratitude. I am often moved by the beauty of this place in which I live. Just now I'm watching the golden red sun sink through the trees out the window of my office. I've been sitting in its golden glow for 20 minutes, and now the sky is pink with one small intensely red spot, the last glimpse of the setting sun. Yes, I'm grateful for the years I've lived in this marvelous place, and saddened at the thought of moving away, and weary with the waiting. Perhaps I need a stone that says patience.




Thursday, July 30, 2015

Shibui Living

Nestled amongst the black oaks and tall pines of a small foothill community in northern California is a beautiful place in which I've had the privilege of living for the past 19 years. Shibui was founded as an art school in the mid 1970's, and flourished for many years as a creative center and place of inspiration for local artists and artisans under the guidance of artist and teacher Flo Barnett. Sadly Flo passed away in March of this year, and with her passing we have decided to sell the property. 

Shibui sits on nearly 3.5 acres and consists of two homes, both of which have been Flo's classroom and art studio. Flo's son Dan and I live in the second house on the property, which started out as a weaving room and a pottery. We love living here and are saddened by the thought of moving, but with mom's passing we realize that it's time for us to downsize. Flo's lovely home deserves to be lived in and we hope that her studio will once again be a place for creativity to flourish.

Blogging about Shibui and about our talented mom Flo is a way for me to say goodby to them both and, I hope, an avenue for introducing mom's work and the beauty of this place to a wider audience. Though mom is gone, much of her work remains with us and her home still reflects her spirit and creativity. There is much to appreciate and enjoy here still. This blog is a place for me to write about and share pictures of this special place and of Flo's creative work, a celebration of her life and of our life living here.